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TITLE

YEAR

LOCATION

MEDIUM

AWARDS

The Sanctum of Qanat

2022

Onespace Gallery, Brisbane, Australia

Adapted Kāḡaḏ-e Abrī (Abrī) complex print on silk 

Garland July 'Laurel' - Object of Significance

The Sanctum of Qant

'rightNOW' Place and Belonging 2022

Untitled 1, 1370 x 1700 mm, 2022

Photography courtesy of Louis Lim 
 

4. Prita Tina Yeganeh_Onespace_The Sanctum Of Qanat (Untitled 3).jpg
3. Prita Tina Yeganeh_Onespace_The Sanctum Of Qanat (Untitled 2).jpg

Untitled 2, 1370 x 1700 mm, 2022

Photography courtesy of Louis Lim 
 

Untitled 3, 1370 x 2000 mm, 2022

Photography courtesy of Louis Lim 
 

Untitled_Artwork (5)300.jpg

Installation View, 2023

Photography courtesy of Louis Lim 
 

IMG_3707_edited.jpg

Image 1: Sitting Circle community engagement and public programming, 2022
 

IMG_3704_edited.jpg

Image 2: Sitting Circle community engagement and public programming, 2022
 

‘My ancestors’ knowledge of hidden waters binds my spirit to the desert.

To honour my ancestors, I first honour the Sanctum of Qanāt.’

This work explores Qanāt, an ancient living process for collecting and transporting underground hidden water, across the arid deserts of the Iranian plateau. Through Qanāt, my ancestors weaved themselves into the nature of the deserts using their intimate knowledge of landscape, geology and territory. I interpret Qanāt as more than an ancient living process. It offers me the history and origins of my own distant culture and reveals an Iranian identity deeply rooted in ancestral connections to land and place. The Sanctum of Qanāt explores the idea of Qanāt through textiles—my way of re-connecting to my displaced Iranian identity.

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